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22 Tips to Obtain Better Sound in a High End Audio System

22 Tips to Obtain Better Sound in a High End Audio System

Özhan Atalay

Email: ozhan@atalay.biz   Web: http://www.nonamehifi.com

 

 

Introduction

 

Basically accepted thing in audiophile world is that it almost impossible to achieve the best sound by just combining only the best equipments. Much cheaper but properly selected and tweaked system may sound better than its expensive brothers. This is called system synergy in audiophile world. System synergy is not only about combining the best equipments but it is a kind of long and enjoyable way to maximize their performances.

 

The precautions and principles may be seen absurd and meaningless for someone who does not have solid understanding what the hi-end is.

Within last twenty years, I spent considerable time, money and efforts to achieve best sound (..Or what ever the best is). I wrote a couple of important points from my own perspective. Most of these points may be known by the audiophiles anyway if not implemented. More important, below points consist of my own observations merely. There are so many known different tweaks and techniques. I avoided not including here the points that I did not try and/or the points did not work well with me. I believe below mentioned points will step up someone's system to a higher level by using the same equipments.

 

I apologize for my level of English. I am appreciated if someone warns me about the main language mistakes anywhere in the web site.

 

The only certain truth I learned after twenty years is that "there is no one absolute truth in Hi-End" Most of the truths in High-End can not be proven by scientific measures. Very sensitive human ear hears a lot, interpret, evaluate and decide. In a listening session of three audiophiles, what is probably going to happen is one of the persons will find the bass insufficient, the other may find it so much and excessive, but the system owner will think it is fine, not less, not more. That phenomenon is called "brain reference". (See for more details) Brain reference is a kind of prejudice comes out of our own system's timbre and tonality. This phenomenon sometimes causes conflicts with someone who compares better equipment versus his own equipment and may not like the sound of the other in spite the other was clearly better.

 

Most of the points stipulated below will depend on the capabilities of the system but more important, depend on the experience of audiophile. A poor system will not differentiate the points or less experienced ears may not pick them up either. That's why some of the points below may not be regarded by everybody. I will be delightful if someone who reads that article picks up one or two points.

 

1- Listening at Night; Critical listening or equipment testing should be done in the night hours. This rule obviously applies to one who lives in a big city. Non noticeable city noise affects our hearing and we are basically not able to hear what our system delivers to us during the day.

Due to city noise is several times lower in the night, all hidden aspects in hi-end appear in the night and the system delivers its full potential. For more information, please check Noise (see for more details)

 

2- Heat and Humidity; Humidity and heat have serious influences on sound. Systems can not generate their best sound, power and dynamics in a warm and damp weather. I am not sure why this happens but it happens. There may be two reasons: The damp air is heavier in such circumstances, thus the loudspeakers are not able to pull enough air into the room. Or the loudspeaker materials may soften and behave differently in warm weather. To cool the listening environment prior to listening session eliminates that effect.

 

3- Darkness; Music should be listened in dark room. Particularly, the loudspeakers and the system should be kept in dark and the original recording venue should be imagined while listening.

The main objective of a good quality hi-end system is to depart from the hardware and to go into the recording environment. Listening music while watching the hardware will physiologically demolish the virtual environment that we intent to be in. The most inconvenient part of a hi-end system is inexistence of visual imaging. The reality sense is so different when participating to a live concert or listening/watching from a DVD player via a surround system.

If the listening environment is not dark, the speakers will be perceived as the sources of the original sound.

 

4- Finding the Correct Listening Distance; the sound is spread in waves called frequency. The volume of every frequency will be different in connection with the distance from the speakers. In terms of the volume, frequencies will be up and down when the distance is changed. Especially higher mids and treble sections will vary between 20-5 centimetres. Such frequency peaks can be easily recognized by listening.

a – Listen a test CD which contains different test frequencies. For instance start with mono 1000 Hz at the listening chair. Then stand up and walk very slowly through your system. (Preferably with your closed eyes). You will immediately realize that the signal will have ups and downs in volume while you are moving as if somebody was turning on and off the volume control.

b - The main frequency of the music and the one which is closest to human sound is 1000 Hz. 1000 Hz is your starting point. 1000 Hz will be at its peaks so many times in connection with the distance of your listening chair. Find the closest distance to your current listening chair that the 1000 Hz is at peak. The ups and downs in that band should be changed around 50-70 centimetres. This is the best location to hear the middle frequencies but it is not the best location yet to achieve the best frequency spectrum. It is just the starting point.

c - Stick a rope to back wall that may come through your shoulders. Now close your eyes and listen different frequencies such as 300-500-1000-2000-5000-10.000 Hz etc, move top of your body (while sitting) forward and backwards. Mark the peak points of every frequency you listened on the rope. Our aim is to find a particular point that most of the frequencies are at their peaks. If you are not successful and these points are not closer each other, move your speakers 10 cm's to front (or your listening chair to 10 cm front or rear) and repeat the same exercises till you find a certain point that most of the frequencies are at their peaks.

It is not an easy task, time consuming but free of charge. Once you have the point, you will be very surprised with the improvement of the sound of your existing system.

 

5- Room Acoustics; Room Acoustics is the most known but the least considered part of Hi-End. A conventional speaker may throw % 40 of the sound directly to listener; rest of the sound comes through the walls by reflections. Reflection means the timing difference of the original signal, hence an additional acoustic which does not exist in the original record. Within such a complexity of reflections, a part of the original signal will come late due to the front wall or ceiling or etc, a part of the original signal produced by the left speaker will come as if coming from the right speaker and vice versa. Such a complex listening environment will demolish the stereo imaging and channel separation.

Some audiophiles are happy with this case due to speakers are seem to be better disappeared and soundstage is wider and deeper. Some producers add additional mid/treble units to the back side of the speakers (dipoles) to emphasize such effects.

One thing should be considered that such reflections do not exist at the original sound. If something is produced by the system/room in addition to the original sound should be named coloration.

If the aim of a good hi-end system is to reproduce the original sound, such reflections should be avoided as much as possible. Especially ribbon and electrostatic speakers will suffer a lot from such reflections.

Carpet on the floor is a must to lower the reflections (standing waves) between the floor and the ceiling. Thicker curtains will help to lower the reflections of the windows. Glass covered photos and such stiff furniture should be avoided.

This article is not intended to give recommendations how to make a room tuning, lots but lots of information may be found on internet. But it is just to emphasize the importance of room acoustics.

 

6- Precise Focus and Loudspeaker Placement; this is also another known but the least considered part of Hi-End. It is critically important to locate both speakers at the exactly same distance to achieve precise focus. Distances should be very carefully measured and both of the speakers should be placed exactly to the same distance through listener.

 

OK but why such important!

 

Sound signals are distributed in waves as explained in section five. The people who tried the settings in section five will realize that, the peaks of frequencies vary in conjunction with the distance from the speakers. Especially the treble frequencies will vary a lot by only one centimetres of a change. In such cases, if one speaker is just one cm closer to the listener, some frequencies will be heard a lot from one speaker but will not be heard from the other speaker. If the upper harmonics of the human sound consist of such upper frequencies, (it is!) this is obvious that the sound will move from the middle to left or to right. Moreover, within that case, some frequencies will be collided in full phase and will be exaggerated, some others will be collided by inverted phase so are destroyed.

 

This is the exactly the same effect of loosing bass when connecting one speaker out of phase.

 

7- Mechanical Vibration of Electronic Units; Quite a lot of vibration absorption feet and platform kinds exist in the market. They are to be placed under the electronics/speakers. Such materials have two intentions;

 

a- To eliminate the external vibration coming through the unit

b- To eliminate the vibration of the unit itself (CD driver motor, speaker cone vibrations etc)

 

Most popular ones are the cones (spikes). I believe the proper usage of spikes is not known very well. Rather than being a vibration absorber, spike is a kind of transmission material that transmits vibration from one point through the other point. In other means, vibration is condensed to one point and mechanically carried to other platform by the spike but not eliminated. If the connection surface is stiff (for instance marble, granite, etc) such vibrations are passed to that surface. Underneath of such a stiff platforms (marble, MDF, glass, granite) must be covered by an elastically material such as cork, mouse pad, neoprene rubber or similar.

 

The vibration can not pass from a stiff platform to an elastically platform and will be transposed to heat between.

 

Direction of the cone is also critically important. The direction should be in conjunction with the intention of vibration transmission.

 

May be the last thing about the cone is the cone should be in touch with the chassis of the component directly. If any kind of rubber, double sided band, blue tack or such an elastic material is put between cone and the unit that material will try to transpose the vibration and the cone will not work.

 

8- Marble Under the Loudspeakers: A marble platform under the speakers eliminate most of the unwanted resonances of the speaker. The thickness of the marble should be at least 3 cm and the size should be at least 10 centimetres bigger then the edges. Underneath of the marble has to be covered by an elastic material such as cork, mouse pad, neoprene etc.

 

How does it effect the sound is, you have more powerful but more clear and tight bass, relaxation at the mid and top frequencies.

 

The speaker has to be connected to the platform via a cone, not by an elastically feet. The sharp end of the cone has to direct the marble but not to the loudspeaker.

 

9- Grounding the Metals for Static Electricity; especially in wet weather and in fully carpeted listening environments, static electric become an issue. The carpet is charged with static electric which can be passed through the electronic equipments via the rack and/or via human touch. Static electricity on the carpet is such powerful that when checked in the morning before somebody walks on it, can be clearly seen by simple tools sold in Radio Shack

 

In order to eliminate the effect, the loudspeaker stands and the equipment racks should be connected to earth by a thin wire. Moreover, the loudspeaker cables and interconnects should be lifted away from the floor due to the same effect.

 

What benefits you may expect from this tweak is I don't know why but less blurry and more tide lower bass.

 

10- Loudspeaker Distance from the Front Wall; Loudspeaker producers generally recommend the distance of the speaker by the front wall (the wall behind the speakers). Generally speaking, the speaker should be located as far as possible from the front wall. (Side walls as well) If they are so close to the wall, bass standing waves will be reinforced (explained in article five) and mid/treble band will be compressed due to excessive bass energy.

 

Some audiophiles find the desired bass volume by placing them closer to front wall which is not correct. One thing should be considered that such bass increase is not due to the original sound but it is the consequence by the room response called coloration.

 

11- Auto former / Transformer Passive Line Stages; The new developed technologies in hi-end industry made the pre-amplifiers questionable.

 

Before end, the reason of a preamplifier was stipulated in four basics;

a- To connect more then one unit together

b- Recording to tape from some sources

c- Low volume output and inverted polarity signal of turntables (as the only source component)

d- Bass, treble adjustment requirements

 

Nowadays, CD, SACD units can provide 5-8 Volts of outputs which are more than enough for the power amplifiers. Audiophiles are not interested in tone adjustments but focused on simplicity anymore. Dedicated phono stages are in common usage, hence, the majority of the requirements are not valid anymore.

 

The main and the only basic job of a modern pre-amplifier is to lower the volume level, not step it up !!

Just try to imagine a pure signal from a CD, or DAC through the power amplifier, then cut this link, add four plugs, four female plugs, a pair of interconnects, lots of resistors, capacitors, tubes, transistors and all that stuff in the link. How can you keep the signal purity and can you make something better then its original !

 

An active line stage demolishes the neutrality and the purity of the original sound. Such a corruption may not be so evident in most of the lower resolution systems or disregarded by some people on purposely. Every active line stage has its own tonality and coloration. As a matter of fact, audiophiles generally use line stages to balance their tonality problems in systems. For instance, a tube line stage is used to calm down a firm sounding solid state power amplifier or a treble rich line stage is used to compensate the treble poor power amplifier and vice versa. If this is the case in a system, fully natural line stage and lack of coloration will not be regarded by the audiophile.

 

Following me, the consideration should be to change the power amplifier till finding the desired sound rather then playing with pre-amplifier. In other words, to deal with the original problem rather then trying to mask the problem.

 

It is almost in consensus that using a very simple volume pot adds so much neutrality and purity to sound. But in such cases, some other problems appear. A volume pot which is either a potentiometer or a stepped alternator works with the resistance principals. Every volume step adds different resistive path to signal, thus lowers the volume. Due to the complexity of the music signal ( 20 Hz-20 kHz), such a resistive load will act like a barrier for different frequencies. For instance when turning down the volume level, the treble is lowered and the bass is condensed or when you increase the volume, mids are excessive or vice versa. Not to forget to mention is the lack of dynamic range as well. A line stage eliminates these problems.

Due to these facts, volume control pots or analogue volume controlled CDs can not be used stand alone as line stages

 

By the new technology, new auto former and transformer passive line stages are developed for volume control.

Such units do not work with resistance principals and do not add resistance to the signal path. The only resistance of such amps is approximately 200 Ohms due to the cable in windings.

 

Transformer passive line stages consist of two transformers, one for the left channel, and one for the right. They have one primary winding and multiple (12-24 steps) of secondary windings. Their principal is to lover the volume by changing the volts, rather then adding resistance. Up to my knowledge, there are only three producers of such line stages. I used two of them. Both of them are providing extra ordinary natural, calm and undistorted sounds.

 

I heavily modified the Antique Sound Lab myself which is very good product and quite cheap too, (don't underestimate its price) but Audio Consulting's Silver Rock made of pure silver is something else.

 

It should be also mentioned that such a passive line stages can not be suitable for every system. In such a case, input impedance of power amp should be driven directly by the output stage of DAC or CD player. Input impedance of the power amp should be as small as possible. The best way to learn this case is to write the impedance values to producer and request assistance prior to purchasing.

 

12- Good Tubes (NOS Tubes); is it logical to pay 100? to and old tube while the new one costs 10 ? I believe it is. A good tube can change the characteristics of a tube electronic as if you replaced the entire unit. Nos tubes are not easy to find, quite expensive but worthwhile to use. Especially the upper frequency hiss is quite lower with Nos tubes.

 

13- Very Easy Polarity Finding Method; Generally speaking, European (German) standard AC plugs do not have the signal direction. US, UK, Swiss AC plugs have one way to connect to AC, so + and - phases can not. So in such cases, it is not easy to find out the correct polarity.

 

Electronic components can work properly regardless of the polarity. Our televisions, refrigerators, bulbs, computers everything. Why the AC polarity is quite important in Hi-Fi !

 

Electricity arrives from (+) passes the electronic circuit and departs from (-) Generally the mains current arrives in the power supply of the unit first then reduced to desired voltage by of the electronic circuits. At this case, mains is automatically filtered by the power supply section. The transformer of the power supply section behaves like isolation transformer, input and output currents are physically separated. If the polarity is not correct, the mains will arrive to system directly from the back door and will carry all the pollution like RFI/EMI into the unit. Due to the fact, it is important to find out the correct polarity.

 

Most of the electronic' polarity is similar. If the unit has detachable power cord and IEC kind of input, the right hole should be the (+) mains when do you look at the plug front the front face (as seen below)

 

Another simple method is to check the mains fuses. If the unit is equipped with an exterior protection fuse, release the fuse and check it by an electricity check pen while the unit was connected to mains. It should be (+) signal. If not, reverse the AC plug from the wall

 

14- Listening Volume Level; It is for sure nobody's business to tell you that what the correct listening volume setting is. Some audiophiles like very low listening level, some turn on the volume till the windows are broken.

 

If the outcome is to achieve the ambiance of the recorded venue, volume level should be adjusted accordingly but not more or not less. This case is applicable to acoustic instruments only but not to electronic music, jazz or disco etc.

 

What ever the listened record is, correct volume setting should be the one which does not enlarge or shrink the original instrument. Higher volumes may For instance a guitar should be played with the original volume of a guitar by correct volume setting. If volume level is increased, the body of the guitar will became bigger in obsolete terms, on the other hands, full body of a Mormon chorus will not be so realistic at low volumes

 

15- Warming Up the Speakers and Cables Before Critical Listening; Apart from the theory that "Solid state electronics provide their best sound for a few minutes till the transistors became warm." every single audio equipment needs a warm up time. This time is at least 1/2 hour or even 1 hour in spite the manufacturers recommend less. Up to my knowledge, the reason behind this is the specifications of the resistors, capacitors, tubes and other stuff vary if they are cold or warm. Manufacturers make final settings when the units are warm, otherwise they would play perfect for the first half an hour and worse after warmed up.

 

That principal is applied by every audiophile for the electronics but not always for the speakers and the cables.

Speakers are quite important since their passive components should be warmed up such as crossover resistors. Their voice coils should be warmed up as well. The cables are also important. Warm up term may not eligible for the cables but the cables should be run for sometime till their dielectrics are charged.

 

As a result, the warming up time should be completed by playing (may not be listening) the entire system.

 

16- Proper Loudspeaker Selection for Listening Room; Loudspeaker should be selected in conjunction with the listening room dimensions. Unfortunately the general tendency in audiophiles particularly in US is "the bigger is better"

 

It is like some new starting skiers that choose the best ski equipments prior to learning and facing with so many problems afterwards.

Big loudspeakers are difficult to position, difficult to drive, affected more from the room boundaries. If the speaker is bigger for the room, excessive bass energy will diminish rest of the sounds. The bigger speaker means bigger problems. Driving big speakers requires challenge, experience, sources, time and money.

 

17- PS Audio Power Plant; Principally I avoid giving specific brands in my non commercial web site. But PS Audio Power Plant is such a special product that similar components do not comparable with. It is a kind of power regenerator powered by electricity. P300 actually regenerates new AC for the audio gear. This regenerated AC is of much better quality than filtered AC because of the stabile voltage and near perfect AC waveform. It also removes 70 dB of EMI and RFI noise from the AC line!

 

Not all friends are agreed with me but according to me, it is very special equipment that lifts up the entire system to a higher level.

What would you expect from it is much relaxed sound, more layered deep and wide soundstage, crystalline treble and more inner details. Improvements are immediately apparent. Take care to use with power hungry amplifiers. (I am not sure about this currently Note: 2005)

 

18- CD Surface Treatments; There is several kinds of CD surface treatments in the market. They shine the surface of CD, thus laser picks up more information. What can be expected from a surface treatment is the high frequencies are cleaner and more extended. The easiest and the cheapest method of CD surface treatment is the one that used by pipe lovers .That is the human oil on the skin of face.

 

I apologize for that ugly tweak but our systems are personal and private anyway don't they. Human oil has the perfect thin viscosity and can be absorbed by CD surface very easily and effectively. Listen your CD first, smear the CD throughout your forehead and spread the oil with your finger and listen it again.

 

Don't forget to spread the oil by your finger every time prior to listen that CD.

 

19- Objective of the Third Dimension ; The objective of a stereo system is to achieve 3.rd dimension via two channels. All the hi-end or hi-fi equipments have own character, timbre and tonality. For instance a titanium tweeter will have different tonality then a silk dome tweeter. Two different brands of loudspeakers will have different tonalities as if they use the same drive units. The tonality of high end equipment mostly depends on the listening preferences of the designer. We will most probably not like if hear different tonalities from our own equipments even though the other system sounds much better. This case is so often faced; most of the audiophiles don't like the sound of somebody else’s system despite it is a better system. This case is also evident when buying or testing new equipment at homes. We sometimes test better equipment at home but feel something is still missing compared to our own equipment.

 

I remember very well, when Sony introduced the first 20 Bits CD player, most of the people found the sound harsh, edgy and coloured. People used to listen dark sounding CD players up to that time and hearing more inner details disturbed them.

 

I also remember very well that when I modified my old B&W 801 Matrix II monitor speakers and cancelled their protection units, the new sound had disturbed me a lot. I was such unhappy by the new sound and could not have listened at my system for several days. At that time, the manufacturer expressed that "the protection units were needed due to the speakers were designed mainly for recording studios". They also told to me that the new sound must be clearly better due to the crossover resistance that affects especially the lower mid and upper bass was lowered fairly. After several days of listening them, the sound became better and better. Eventually the sound was surprisingly perfect after few weeks. Actually the sound was the same but perception was changing. (My brain reference was changing)

 

If this is the often case, how do we distinguish the better unit by listening! There are several ways of it but for me the main method is third dimension capability. This is not the only case for sure but generally speaking, if two units are compared, the better one is the one delivers bigger soundstage, more dept and more height.

 

This is also the theory of Peter Quodrup from Audio Note UK and I am hundred percent agreed with him.

The distortion of an electronic device is does not effect the tonality of the equipment but mainly effects the inner details. Soundstage dept and height are such hidden factors in inner details that they will be affected first. If the unit provide lower distortion, more precise soundstage, especially more dept will be provided.

 

20- The Least Powerful Ring of a Chain; Hi-Fi is a kind of chain. Strength of a chain depends on the least powerful ring. Assume a water hose consists of variety of wideness. Derived water capacity will be in accordance with the thinner part.

 

A system should consist of similar level of equipments. If you add the best CD transport to a standard level of system, there will be some changes but not as expected. Also a poor digital cable will compress the entire sound quality of a very good system.

 

A long term plan should be prepared before setting up a system and the pieces should be purchased in time. Hurried purchases may come as replacement expense within one or two years.

 

 

21- Don't Immediately Judge a Unit, Give a Chance; Every system can sound well in time. System synergy is a kind of time dependent factor that sometimes takes months, even years. Sometimes we make quick decisions and quick prejudices for good products and immediately make unfair observations. According to me, the main element of the hi-end chain is the loudspeaker. If tonality and characteristics of the speaker is generally fine, or if the overall tonality of the entire system is generally fine, the system can be carried up for several further steps by playing with cables, tweaks, locations, tubes etc.

 

22- Critical Adjustments Should be Done by Listening Symphonic Music or Chorus Music; Once we decided about the main components of our system, we play with cables, tubes, tweaks and other accessories till finding the desired tonality. Adjusting the tonal balance of a system by listening single instruments or jazz trios may mislead us.

 

Upper mid and the treble bands of a sound is easily disappeared if somebody is far away from the original signal. This is the case, if we listen at a live concert or listen at a hi-end system. If this is the case, such instruments like saxophone, guitar, violin, even a human voice are darker and distant if we listen at a very good live record. Whenever we increase mid/treble band of the system by tweaks, such instruments became more open, detailed and dynamic. But one thing should be in mind that we may add a subtle amount of coloration to sound unconsciously. If a system is trimmed by listening small trios or single instruments, singe voices, this risk is really big. Such a system may not play a classical music performed by a big orchestra. If such symphonic music is listened, the system may reveal harshness and brightness.

 

It is often said that somebody's system plays well in classics but sounds quite dark in jazz, or somebody else's system is quite revealing in jazz but very bright and glazing at classical music. I believe this is the main reason of those phenomena

 

END

 

 

Hi-End is such a passion that so many opportunist firms and persons are added every year in spite hi-end community is not growing enough. Prices are multiplied by 3, 5, 10s every year. Every producer pretends to be one of the best in the world or at least within particular price level. Manufacturers issue review reports prepared by some ones!

 

No testing equipments in today's technology can prove that their claims are correct or no testing equipments can invalidate that their claims are wrong. In no way equipment can compare two units each other and prove that one is better sounding then the other. Pretended best in the world equipments/cables often suck in blind testing. If this is the case, it is easy to claim to be the best in the world due to nobody can prove the opposite.

 

The price of valuable equipment can fall down to 1/3 of the purchasing price within few years by the additions of MK-II's, MK-III's, Special Editions, and Signature Versions

 

While the best speaker in the world was sold by 7.000 ? Twenty years ago, the best speaker nowadays is more then 200.000? A poor line stage which is used to lower the volume is sold out by 40.000.?

 

Hi-End technology does not grow up for years. Most of the hi-end producers are very small family entrepreneurs that targeting very rich few niche people. They don't have proper research and development laboratories. Design and esthetical properties are the priorities.

 

I have the strong impression that Hi-End is digging its own grave with that pricing policy. We will see what will happen to hi-end after 30 years.

It is a deep less hole. My humble recommendations for the just starters is that go with second hand market products and go by reasonable priced equipments to minimize the losses of years. Never look for the perfect sound which is not exist in any money. Keep in mind that a 300.000? Worth amplifier may be % 2-3 better then a 5.000? Worth of his small brother.

 

Best regards with lots of music..

 

Ozhan Atalay

 
About the Author

Ozhan Atalay

Predident

http://www.nonamehifi.com

January 2004 - Issued in December 2003, February 2004, April 2004 issues of Andante - Classical Music Magazine

January 2004

Content of this article may be used only by referring to www.nonamehifi.com Copyright NonameHifi

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Ion Profile Express USB Vinyl-to-MP3 Turntable Silver $61.9 The Ion Audio Profile is an attractive HiFi turntable with an added USB port, perfect for preserving your record collection in digital format. The rear USB port allows plug & play connection with Windows or Mac computers that, via the free Audacity software, is the perfect way to create a digital archive of your record collection. The USB turntable's low-jitter belt drive ensures the best quality recordings from vinyl to MP3. Alternatively, you can record from a device plugged into the turntable's AUX input - such as a cassette deck or CD player - direct onto a computer. Unlike many other similar models the Ion Audio Profile Express features a great look and feel that is perfect for any living room. Thanks to its built-in preamp the turntable can be easily connected with stereo systems, amplifiers and other devices. Please note this is a display product and may show signs of use.

Reflexion HRA-5000 Hifi Stereo System USB-MP3 Recording $69.9 The Reflexion HRA-5000 is a compact stereo system that can handle multiple audio sources. Its USB and SD inputs allow not only for direct playback from portable storage devices but also for recording to MP3 without the need for any computers. This way you can quickly and easily store CDs as MP3s on USB and SD storage devices. Alternatively, you can take audio from the auxiliary input, for example a cassette player or turntable, and also record to MP3. The stereo system's wide range of functions are brought together by its integrated clock radio, which makes the HRA 5000 a perfect addition to any bedroom or kitchen. The Reflexion's compact dimensions make it a perfect fit for your bedside table. All of these functions can be easily handled via the stereo's user-friendly controls.

Ion iProfile USB Vinyl-to-MP3 Turntable with iPod Dock Black $122.9 The Ion Audio iProfile is an attractive HiFi turntable with added iPod dock and USB port perfect for preserving your record collection in a digital format. The Ion Audio iProfile's dock offers the simples way of creating iPod recordings of all your vinyl tracks as well as a great way of synchronizing your iPod and iTunes. The rear USB port allows plug & play connection with Windows or Mac computers that, via the free Audacity software, is the perfect way to create a digital archive of your record collection. The USB turntable's low-jitter belt drive ensures the best quality recordings from vinyl to MP3. Alternatively, you can record from a device plugged into the turntable's AUX input - such as a cassette deck or CD player - direct onto an iPod or computer. Unlike many other similar models the Ion Audio iProfile features a great look and feel that is perfect for any living room. Thanks to its built-in preamp the turntable can be easily connected with stereo systems, amplifiers and other devices. Please note that the iPod pictured is not included with the product. The turntable is compatible with the following iPod models: iPod Touch 2G, iPod Nano (2G, 3G, 4G), iPod Classic 5G Please note this is a display product and may show signs of use.

Auna Stereo Twin Cassette CD MP3 USB Turntable Encode $104.9 Auna's multi-functional hifi system brings together both new and traditional music formats into one easy to use device. In addition to a radio, record player and MP3 capable CD player the unit boasts an integrated turntable and dual cassette deck (with recording function and hi-speed dubbing). Perfect for giving new life to old records and tapes. Even better is the ability to record both cassettes and records onto digital media via the built in USB and SD ports making transfer to your computer or MP3 player a breeze and protecting your recordings against the effects of age. For the perfect all in one hifi system that combines old and new you won't find a better deal anywhere else!

Compact USB Turntable Convert Vinyl to MP3 $54.9 Looking to convert your vinyl collection to MP3? Here's the perfect solution! This ultra-compact turntable has a rear USB output and can be connected to a computer. No the need for complicated drivers, just plug and play. The "Audacity" software included allows you to record, records, edit and convert your vinyl to MP3 using your PC and is incredibly easy to use. Unlike many other models, the turntable will also run at 78rpm so it is perfect if you've got some antique vinyl you want to preserve.

Stanton STR8.150 DJ Turntable High-Torque Deck $529.9 The Stanton STR8.150 DJ turntable is the ideal partner for creating that perfect DJ set up. The Stanton turntable features a tough metal chassis and skip-proof tone arm with Cardan suspension. Additionally the set-up offers a powerful, high-torque 4.5kg/cm drive. At the tip of the adjustable, straight tone arm is a Stanton 680HP pick up, ideal for scratch-heavy sets. The coaxial audio output and switchable Phono/Line output allows the Stanton STR8.150 to be connected to all kinds of modern DJing devices. For added creativity the turntable features a 50% pitchable range for smooth transitions between tracks. The motor shut off, reverse mode and adjustable start/brake times offer a little extra for your sets.

Lenco L-81 DJ Turntable with USB SD MP3 Recording $159.9 The Lenco L-81 DJ Turntable USB is jam packed full of features and is the perfect all around turntable for Djs! Its stylish finish is made entirely out of aluminum, and its wide variety of inputs allows music to be directly transferred from vinyl to a USB-stick or SD card. The turntable also features an S-shaped pick-up arm with various setting options to enable precise tuning of the needles pressure. These extensive features are completed with the option to connect the turntable via USB with a computer to digitize, edit or store your favorite vinyl records. Digital Home magazine gave the L-81 a 1.4 grade in performance and price in its latest test in January.

Stanton T.62 DJ Turntable Direct Drive Record Player $275.9 The Stanton T.62 is a proven DJ turntable with all the classic DJ tools. The direct-drive turntable reaches a 1kg/cm torque, allowing high start and stop times for great quality sets. The +/- 10% pitch range and target light supplied ensures effective fine tuning during your mixes. A straight tone arm and dual controls for vertical set-up make the Stanton T62 ideal for great Hip Hop sets. A Stanton 500V3 pick up is included with the DJ turntable.

Gemini TT-2000 DJ Turntable High-Torque Direct Drive Deck $164.9 The Gemini TT2000 is a great quality DJ turntable with high-torque direct drive and fully adjustable tone arm. This classic drive-tone arm combo offers the key to creating professional sets with flawless transitions. The dual start/stop button makes the Gemini TT2000 ideal for both club use and DJ battles. With its +/- 10% pitchable range and reverse function the Gemini turntable will make a huge impression on your set. The turntable comes shipped with a high-quality pick up and target light.

Stanton T.92 Professional Direct Drive USB DJ Turntable $259.9 The Stanton T.92 is a classic DJ turntablewith modern compatibility. The turntable features a USB input thatallows for plug and play connection to Windows or MAC computers for easy MP3recording of your record collection. Matching software for recording andediting comes shipped with the turntable. On the hardware side, the turntablefeatures a smooth-running belt drive, Stanton 500V.3 pick up and fullyadjustable, static balanced tone arm for optimal recording conditions. Its modern digital and coaxial outputs -alongside the switchable Phono/Live output, mean the turntable is compatiblewith most commercial DJ set-ups. As well as being ideal for recording fromvinyl, the DJ turntable is the perfect solution for live DJ use. The drivemotor shutdown, selectable pitch range and reverse playback give addedcreativity to your sets. Its dual Start/Stop button makes the Stanton T-92great for DJ battles.

Akai ATT002 DJ Turntable - Single Deck with USB MP3 $99.9 The Akai ATT002 is a great value turntable with a USB output for digitizing your record collection to MP3s - allowing you to easily transfer them to a computer in perfect quality!The device connects conveniently to your PC or Mac via plug and play, with the need to worry about complicated connections to your computer. The included software also allows you to edit and enhance your files easily once you record them. DJ's are sure to enjoy the fully adjustable tone arm and the quiet running belt drive along with the classic turntable functions of this device!

DJ PA System Silver Star 'Libra' USB Turntable Mixer $229.9 The 'Libra' DJ PA system is perfectly designed for use on PC/Mac computers and at live gigs in discos or clubs. The USB direct drive turntable even allows you to digitize your vinyl record collection. When combined with the DJ mixer, the set can be connected with a wide range of devices including CD players, other turntables and stereo equipment. The classic silver and black design would be at home in any international club or lounge. In terms of technology, the system has been created with the fine attention to detail that one would expect from Akai and Auna. The 'Libra' starter kit is ideal for new DJs who want to use modern equipment. The Akai USB turntable can be used to create scratch, cut and breakbeat demos as well as to digitize your vinyl collection onto a PC or Mac computer. The smooth running belt-drive, fully adjustable tone-arm and Audio Technica pickup guarantee quality recordings - these can be further improved by using the supplied Audacity and Sound Soap software. An Auna mixer which combines perfectly with the turntable is also included in the set. Its clear layout and user-friendly features make it an excellent choice for beginners and advanced DJs. You can find additional equipment and accessories in our shop.

Auna DS-2 Stereo Turntable Record Player USB MP3 Recording $104.9 The Auna DS-2 is a multi-compatible stereo system that can playback from MP3, USB, SD media and other audio formats. The compact unit has front USB and SD inputs, allowing you to connect USB and SD media devices such as USB sticks and MP3 players. The Auna stereo records the audio signal from records, CDs, auxiliary equipment and the radio at the touch of a button, without the need for a computer. This is an ideal and easy way to transfer your records or CDs into a handy digital format. The turntable's smooth belt drive provides for excellent recording quality. The Auna DS-2 is a complete home sound system with an MP3-compatible CD player, a radio and a turntable. Portable audio devices can be connected through the USB and SD inputs, as well as the jack AUX inputs. Virtually any form of portable audio device can be connected directly to the stereo. The line-out allows you to connect the device with an external stereo amplifier in order to increase the audio output. The stereo would also be perfect for the bedroom thanks to its built-in clock with an alarm.

Ibiza SD USB Turntable Vinyl Record Player PC MP3 recording $159.9 The Ibiza Free Vinyl is a reliable DJ turntable that allows you to digitize your MP3 music collection and additional media on your computer. For this purpose, the record player connects via plug & play with Windows-based PCs and MAC computers, and the included Audacity software helps you to effectively process your recordings thanks to easy and user-friendly operation. Unlike other USB turntables, the device also provides MP3 direct recording to USB and SD media. Additionally, it also gives you the option to implement the MP3 archives of USB and SD mass storage into the set. A smooth belt drive and a fully calibrated tone arm guarantee good quality recordings and sounds.

Glorious DJ Cockpit XS DJ Booth Turntable Mixing Desk $395.9 The Glorious DJ Cockpit XS is a lounge-inspired DJ booth with a full range of functions that allows you to set up 2 turntables or a CD player, and a mixing desk. Concealed brackets and cable holders maintain the DJ cockpit's slick look and ensure that your equipment stays fully connected and easily accessible. The storage area beneath the turntable platform will keep your LPs safe from dancing friends and party-goers. The front edging protects your equipment from minor bumps as well as keeping guests' hands away the music. The sturdy metal construction and MDF wood veneer can handle spilled drinks and minor accidents during your set. Please note that the equipment and record cases pictured are not included in the delivery.

DJ-Tech USB-50 Record Player DJ Turntable MP3 USB PC Mac $362.9 The DJ-Tech USB-50 is a sophisticated DJ turntable which has been upgraded with a USB output, allowing you to digitize your record collection onto your computer. The main features of the device include a smooth-running, high-torque direct drive, and a fully adjustable tonearm; both of which make the USB-50 a DJ turntable suitable for professional use. A 50% pitch range, reverse function and automatic motor cut-off give you the freedom to get creative when filling the dance floor. The DJ-Tech USB-50 can even be used horizontally or vertically thanks to the double start/stop buttons, making it perfect for battle sets. The USB output connects the turntable via Plug & Play with Windows PCs and Mac computers, enabling you to archive your music collection as MP3s, while the included Audacity software allows you to edit and mix your recordings.

Koolsound KCL-01 DJ Turntable Replacement Headshell $24.9 The Koolsound KCL-01: A complete headshell system including an Audio Technica pickup!Ready to go out of the box, the Audio Technica cartridges is ideal for scratching and guarantees good sound and control.A great accessory for the most standard turntables!

Black Glass LCD TV Swivel Stand $81.9 Elegant glass turntable for TVs and other equipment.

Audio Technica Turntable Record Deck Stylus w. Needle & Headshell Cartridge $34.9 Audio Technica's spherically polished "3600L" is a great value replacement pickup. The headshell system comes pre-assembled for immediate use.

Ion URecord USB Audio Converter - Record to PC Computer $69.9 Record from a microphone, instrument, turntable, or tape deck, right into your computer with this high-quality computer-audio input box. Whether you want to record your live musical performance or you want to convert music from records or tapes to MP3s, URECORD makes it easy and convenient. Simply connect U Record to your computer via USB - the rest is easy. The included software is simple to use and allows you to quickly transfer your recordings to your iPod or other audio player. U Record features standard RCA inputs to connect your tape deck or CD player and thanks to the built-in phono preamp you can connect a record deck directly without worrying about using an additional hifi system. Thanks to the EZ Vinyl Converter (PC) and EZ Audio Converter (Mac) software U Record is the easiest way to add analogue music from vinyl or cassette music to your digital music collection on your computer. The software will automatically import your music into your iTunes Library. With the included Audacity software, you can also remove noise, clicks and crackles from your recordings and restore them to their original sound.

WeSC Oboe HiFi DJ Headphones Vibrant Yellow $39.9 The WeSC Oboe Vibrant Yellow are a pair of HiFi and DJ headphones with a great name, inspired design and impeccable sound. Their design makes them perfect for everyday use with your hifi system, and the 0.5m single-sided cable can also be extended by 1m if required.

Turntable Bot $10 Turntable Bot

Turntable Matinee $10.49 Turntable Matinee

Turntable Technology $11.99 Turntable Technology

WeSC Oboe HiFi DJ Headphones Royal Blue $39.9 The WeSC Oboe Royal blue are a pair of HiFi and DJ headphones with a great name, inspired design and impeccable sound. Their design makes them perfect for everyday use with your hifi system, and the 0.5m single-sided cable can also be extended by 1m if required. The WeSC headphones are not only suitable for regular use at home, but are also great for Djs.

WeSC Oboe Hifi DJ Headphones Lettuce Lime $39.9 The WeSC Oboe Lecttuce Lime are a pair of HiFi and DJ headphones with a great name, inspired design and impeccable sound. Their design makes them perfect for everyday use with your hifi system, and the 0.5m single-sided cable can also be extended by 1m if required. The WeSC headphones are not only suitable for regular use at home, but are also great for Djs.

WeSC Oboe HiFi DJ Headphones Beluga Black $39.9 The WeSC Oboe beluga black are a pair of HiFi and DJ headphones with a great name, inspired design and impeccable sound. Their design makes them perfect for everyday use with your hifi system, and the 0.5m single-sided cable can also be extended by 1m if required. The WeSC headphones are not only suitable for regular use at home, but are also great for Djs.

WeSC Oboe HiFi DJ Headphones Golden Street $39.9 The WeSC Oboe Golden Street are a pair of HiFi and DJ headphones with a great name, inspired design and impeccable sound. Their design makes them perfect for everyday use with your hifi system, and the 0.5m single-sided cable can also be extended by 1m if required. The WeSC headphones are not only suitable for regular use at home, but are also great for Djs.

WeSC Oboe HiFi DJ Headphones Solid White $39.9 The WeSC Oboe Solid White are a pair of HiFi and DJ headphones with a great name, inspired design and impeccable sound. Their design makes them perfect for everyday use with your hifi system, and the 0.5m single-sided cable can also be extended by 1m if required. The WeSC headphones are not only suitable for regular use at home, but are also great for Djs.

WESC Oboe HiFi DJ Headphones - Solid Black $39.9 The WeSC solid black are a pair of HiFi and DJ headphones with a quality brand name, inspired design, and impeccable sound. Their design makes them perfect for everyday use with your hifi system, and the 0.5m single-sided cable can also be extended by 1m if required. The WeSC headphones are not only suitable for regular use at home, but are also great for Djs.

Marmitek Anywhere 400 Wireless Portable Speakers - 100m $156.9 The Marmitek Anywhere 400 is a wireless and elegantly designed speaker which will add a touch of style to your living room! The set consists of a transmitter and two speakers. You simply connect the transmitter to your audio source (iPod, CD/MP3 / MP4 players, computers, CD, DVD player or a turntable), which then allows you to enjoy your favorite music in and around your home wirelessly through the portable speakers! The sound can be transmitted up to 100 meters outdoors and 30 meters through walls or ceilings. No fuss with drilling holes, pulling wires, or sticking cable ducts etc. The omni-directional 2-way speakers radiate the sound at a 360° angle, and thus provide an optimal and rich sound quality! It also features automatic frequency tuning and PLL function, and is very easy to install. Additionally, it can also be powered with batteries, and its waterproof speaker housing allow it to be used almost anywhere in the house or outdoors.

Trevi TT 1064T Retro Jukebox Stereo - MP3 CD LP Radio USB $140.9 Behind it's classic 50s exterior, the Trevi TT 1064T contains an ultra-modern, multi-functional stereo system that plays both old and new media formats. Unlike most recently released compact stereo systems, the Trevi provides you with a cassette deck and a turntable. Thanks to the USB and SD ports, you can playback MP3s directly, and convert your favourite cassettes and LPs into MP3 files, without needing to use a computer. You can then store these converted files onto USB and SD cards, keeping them safe and secure for the future. The Trevi stereo also has a radio and an MP3-compatible CD player, allowing you to record directly onto MP3 CDs. The stereo´s design celebrates the timeless, vintage style from the good old days of the 50's.

Gemini FirstMix Double Deck DJ Controller USB MIDI $135.9 The Gemini FirstMix is a user-friendly USB DJ controller, specifically designed to give newcomers fast and intuitive access to the world of DJing. You simply need to install the supplied MixVibes software (or other MIDI-enabled software such as Traktor or Deckadance), connect the DJ console to a USB input, then start mixing up your MP3 collection. The Gemini FirstMix's two large, touch-sensitive, turntable-style jog wheels let you create dynamic scratching and reverse effects. The software even allows you to make live recordings of your sets! The device is compatible with Windows PCs and Mac computers and works easily with iTunes on both systems. With its compact size, the Gemini FirstMix can be conveniently carried around in laptop bags or backpacks.

Marmitek Anywhere 200 Portable Wireless Speakers 100m $104.9 The Marmitek Anywhere 200 is a wireless and elegantly designed speaker which will add a touch of style to your living room! The set consists of a transmitter and two speakers. You simply connect the transmitter to your audio source (iPod, CD/MP3 / MP4 players, computers, CD, DVD player or a turntable), which then allows you to enjoy your favorite music in and around your home wirelessly through the portable speakers! The sound can be transmitted up to 100 meters outdoors and 30 meters through walls or ceilings. No fuss with drilling holes, pulling wires, or sticking cable ducts etc. The adjustable sound settings will provide a space-independent optimal sound, and are a great way to enjoy your music anywhere around the house!

Auna TTS-T33 Stereo System Vinyl/Tape MP3 Recording $64.9 The Auna TTS-T33 is a smart stereo system specially designed to handle MP3 recording of vinyl and cassettes. For recording the Auna system features a rear USB output for connecting to computers. With the Audacity software included you can control recording and further edit tracks. Great quality recordings of all sorts of records are guaranteed thanks to the USB turntable's smooth belt drive and playback at 33, 45 and 78 RPM. Digitizing your tape collection is made simple with the built-in, smooth running tape drive. There is also the option to record from external audio devices - e.g. CD players - to MP3 via the AUX input. The Auna TTS-T33 can also be used as a conventional stereo system thanks to its integrated subtly designed stereo speakers.